on give and take

Achilles is the best of the Greeks in the Iliad: the fastest, the strongest, the most warlike. He fights like a god (Zeus is his great-grandfather, after all), he excels at winning, he excels at taking – men’s lives and their booty. He is the best his world has to offer.

But he cannot handle loss. When robbed of his spear-won prize Briseis, the best he can do is cry out to his goddess mother, and sulk, hopefully robbing Agamemnon of his victory. And when he loses the great love of his life Patroclus, he flies into murderous rage: he slays horse-breaker Hector in revenge (fair enough), but also horribly abuses the corpse, and even burns alive 12 Trojan boys in his bereavement. When he loses, when things are taken from him, he responds the only way he knows how: double down and take right back. Continue reading “on give and take”

Cornelius

A reimagining of the biblical conversion of Cornelius set in occupied China during WW2.

 

on two types of self-censorship

Both my parents are pretty artsy people, so there is some nude art at home. There’s a statue of some kind of nymph – that used to terrify me as a child, not so much because of her nudity but because of her dead-eyed, Nefertiti-esque face – and a couple of nude paintings. But one time, anticipating that family friends (and their young kids) were coming over, my mom decided to discreetly stash away some of our collection for the time being. Continue reading “on two types of self-censorship”

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